MUKESH WITH DEELIP KUMAR
The
Peshawar-born legendary Bollywood actor Dilip Kumar, real name - Muhammad Yousaf Khan, turns 90 on Tuesday (today).
He was born on December 11, 1922 to a Peshawar-based fruit trader, Lala Ghulam Sarwar.
The
handsome Dilip Kumar shares his birth place with Hindi cinema pioneer
Prithviraj Kapoor (1901-72), his eldest son Ranbirraj “Raj” Kapoor
(1924-88), renowned Indian movie villain Amjad Khan (1940-92), the
66-year old Bollywood actor Vinod Khanna, Prem Nath (1926-1992) and with
the likes of the pretty Madhubala (1933-69)-the Mary More of
Indian cinema- in the 1950s and 1960s.
Meanwhile, the King
of Bollywood, Shahrukh Khan too has traced his roots in Peshawar.
Shahrukh’s late father, Taj Mohammad Khan, was born and raised here in
this historic city, which is today dubbed the stronghold of Taliban. Shahrukh
Khan had himself visited Peshawar in 1978 and 1979, as newspaper
archives reveal. Top Indian actor Anil Kapoor’s father and film producer
of yore, Surinder Kapoor, also hailed from Peshawar.
Coming back to Dilip Kumar, his first film “Jawar Bhaata” was released in 1944.
From 1944 to 1998, this actor-turned-Senator had starred in just 68 box
office hits including “Milan,” “Jugnu,” “Shaheed,” “Mela,” “Ghar Ki
Izzat,” “Aan,” “Tarana,” “Andaz,” “Badal,” “Arzoo,” “Devdas,”“Hul
Chull,” “Sangdil,” “Daag,” “Mughul-e-Azam,” “Insanaiyat,” “Musafir,”
“Ganga Jumna,” “Mashaal,” “Kohinoor,” “Leader,” “Ram Aur Shyam,”
“Karanti,” “Gopi,” “Vidhatta,” “Footpath,” “Aag Ka Darya,” “Shakti,”
“Mazdoor,” “Duniya,” “Saudagar,” “Qila,” and “Karma” etc.
Along
with Shahrukh Khan, he shares the record for winning the most number of
Filmfare awards (eight wins). Besides these eight wins, he had gone on
to receive 19 Filmfare nominations throughout his illustrious career. The
Government of India had honoured him with the prestigious “Padma
Bhushan” Award in 1991 and the “Dadasaheb Phalke” Award in 1994. Remember,
after 1976, he had taken a five-year-break from movies. He was also
appointed as the Sheriff of Mumbai (an honorary portfolio) in 1980. The government of Pakistan had also decorated Dilip with “Nishan-e-Imtiaz,” the highest civil award, in 1997.
Top
Indian newspaper “The Times of India” had quoted one of the greatest
and most influential actors in the history of Indian cinema, Amitabh
Bachchan, as saying that Dilip Kumar was his idol and inspiration.
Shahrukh
Khan, was once quoted by a section of Indian media as saying: “No one
can copy him (Dilip) and idiots like me try to copy him.”
Another
esteemed Indian newspaper “The Hindu,” in its December 11, 2008
edition, had stated: “His performances have been regarded as the epitome
of emoting in Indian cinema. He was the first actor to receive Filmfare
Best Actor Award and holds the record for maximum number of Filmfare
Awards won for that category.” On August 28, 2010, “The
Hindu” had written: “Films like “Andaz”, “Jogan”, “Daag”, “Foot Path”,
“Devdas” and “Ganga Jumna” stand testimony to his versatility.”
“The Hindu,” in its afore-cited edition, had quoted Dilip as saying,”
My tragic performances required method acting as there was a matter of
meter and chord for each shade in my performance. But when I shifted to
light-hearted, comic characters in “Aan”, “Azad”, “Kohinoor”, “Leader”
and “Ram Aur Shyam” I tried my best to transcend method as it has its
limits. I learnt to play the sitar for one and a half years before the
‘Madhuban mein Radhika nache re’ sequence in “Kohinoor”. It had to be
spontaneous yet real. Similarly, when Salil Chowdhury requested me to
lower my voice by three notes to sing Lagi nahin chute Ram in “Musafir”,
I did not opt for any method.”
On his favourite actors
and directors, Dilip Kumar Khan had once remarked at a function: “From
Hollywood, with deep respect, I would like to mention Sir Charles
Laughton, Paul Muni, Marlon Brando and Richard Burton. Greta Garbo,
Ingrid Bergman and Katherine Hepburn are my all-time favourites. From
India, I consider Ashok Kumar, Motilal, Balraj Sahini, Chabi Biswas and
Pahari Sanyal as icons of natural performances. Uttam Kumar and Shivaji
Ganesan were very powerful actors and I must mention the polished
performances of Sabitri Chatterjee and Arundhati Sinha. From the past
four decades, Amitabh Bachhan, Aamir Khan and Tabu are gifted
performers. Among the directors, Amiya Chakrabarty, Nitin Bose, Bimal
Ray, Zia Sarhadi and K. Asif and Mehboob Khan were unforgettable.”
Dilip has two wives, Saira Bano and Aasma. In 1940, Dilip had started his practical life as a canteen owner and a dry fruit supplier in the Indian city of Pune. According
to the Encyclopedia of Hindi Cinema, a renowned film writer, Bhagwati
Charan Varma, had actually given him the screen name “Dilip Kumar.” In
1962, eminent British director, David Lean, had offered Dilip a key
role in his movie “The Lawrence of Arabia,” but the choosy and selective
Indian actor had refused to do so, paving way for the Egyptian Omar
Sharif to perform in his place. Very few would know that
Dilip’s younger brother, Nasir Khan, had also played a role in
Pakistan’s first film “Teri Yaad” in 1948. Nasir is
regarded as Pakistan’s first film hero, though he was not successful and
only appeared in one more film – “Shahida” in 1949 – before sailing for
neighbouring India.
Films refused:- Dilip Kumar was very choosy, and turned down lead roles in many films
which eventually were released to great box office success, including
Lawrence of Arabia,
Pyaasa,
The Rains Came and
Sangam.
Playback singers:-
During his
Bollywood career, Dilip Kumar was most often voiced by
Mohammed Rafi. apart from Md. Rafi, others two provided his voice were:
Talat Mahmood and
Mukesh (until 1958), who was also the main voice of Dilip Kumar's competitor
Raj Kapoor.
Kishore Kumar was chosen to playback the song "Saala Main To Saab Bangaya" for the film
Sagina(1974).
MUKESH SINGS FOR DILIP KUMAR:-
1.AAI SAVAN RITU AAI-MELA-1948(+SHAMSHAD BEGUM)-NAUSHAD-SHAQEEL BADAYUNI
2.GAYE JA GEET MILAN KE-MELA-1948-NAUSHAD-SHAQEEL BADAYUNI
3.DHARTI KO AAKASH-MELA-1948(+SHAMSHAD BEGUM)-NAUSHAD-SHAQEEL
4.MERA DIL TODNE WALE-MELA-1948(+SHAMSHAD BEGUM)-NAUSHAD-SHAQEEL
5.MAIN BHANWARA TO HAI-MELA-1948(+SHAMSHAD BEGUM)-NAUSHAD-SHAQEEL
6.AB YAAD NA KAR BHOOL JA-ANOKHA PYAR-1948(+LATA MANGESKER)-ANIL VISWAS-ZIA SARAHADI
7.AB YAAD NA KAR BHOOL JA-ANOKHA PYAR-1948(+MEENA KAPOOR)-ANIL VISWAS-ZIA SARAHADI
8.JEEVAN SAPNA TOOT GAYA- ANOKHA PYAR-1948-ANIL VISWAS-Md.SHAMS-UL-HAQ AZIMABADI
9.YAAD RAKHNA CHAND TARON-ANOKHA PYAR-1948(+LATA MANGESKER)
-ANIL VISWAS-ZIA SARAHADI
10.YAAD RAKHNA CHAND TARON-ANOKHA PYAR-1948(+MEENA KAPOOR)-ANIL VISWAS-ZIA SARAHADI
11.KISMAT MEN BICHHADNA THA-SHABNAM-1949(+GEETA ROY)-S.D. BURMAN
-QAMAR JALALBADI
14.TUMAHRE LIYE HUE BADNAM-SHABNAM-1949(+SHAMSHAD BEGUM)-S.D.B.-
15.TU MAHAL MEIN RAHNE WALI-SHABNAM-1949(+SHAMSHAD BEGUM)-S.D.B.-
16.PYAR MEN TUMNE DHOKHA-SHABNAM-1949(+SHAMSHAD BEGUM)-S.D.B.-
17.JHOOM JHOOM KE NACHO AAJ-ANDAZ-1949-NAUSHAD-MAJROOH SULTANPURI
18.TU KAHE AGAR,TU KAHE AGAR-ANDAZ-1949-NAUSHAD-MAJROOH
19.NIGAHEIN BHI..TOOTE NA DIL-ANDAZ-1949-NAUSHAD-MAJROOH
20.HUM AAJ KAHIN DIL KHO BATHE-ANDAZ-1949-NAUSHAD -MAJROOH
21.KYON PHERI NAZAR,DEKHO TO IDHAR-NON FILM / ANDAZ/ANOKHI ADA-(RECORDED IN 1948, BUT NOT USED IN FILM)-NAUSHAD-MAJROOH SULTANPURI
22.SUNAUN KYA MAIN GHUM APNA-NON FILM / ANDAZ-
(RECORDED IN 194
9, BUT NOT USED IN FILM)
-NAUSHAD-MAJROOH SULTANPURI
23.DIL TADAP TADAP KE-MADHUMATI-1958(+LATA MANGESKER)-SALIL CHAUDHARI-SHAILENDRA
24.SUHANA SAFAR-MADHUMATI-1958-SALIL CHAUDHARI-SHAILENDRA
*25.DIL SE TUJHKO...YE MERA DIWANAPAN-YAHUDI-1958-SJ-SHAILENDRA
TOTAL 25 SONGS IN 6 DIFFERENT FILMS WITH 5 DIFFERENT MUSIC DIRECTORS AND 4 CO-SINGERS WITH 6 LYRICISTS.
DILIP KUMAR SUGGESTED TO TAKE TALAT MEHMOOD FOR THIS SONG, IT WAS SANKAR-JAIKISHAN WHO SATISFIED DILIP KUMAR AFTER SHOWING THE RECORD TRACK OF MUKESH. THIS WAS THE AWARD WINNING SONG FOR Shailendra FOR best lyricist IN 6th Filmfare Awards.
AAI SAVAN RITU AAI-MELA-1948
shamshad:Aai saawan rrut aai, sajan mora dole hai man
laagi teri lagan ghar aaja
o ghar aaja mohan ghar aaja
Chorus: aai saawan rrut aai, sajan mora dole hai man
laagi teri lagan ghar aaja
o ghar aaja mohan ghar aaja
shamshad: kheton-kheton dag-mag dole hariyaali matawaari
ho hariyaali matawaari
Chorus: kheton-kheton dag-mag dole hariyaali matawaari
ho hariyaali matawaari
shamshad: aise men o preetam pyaar aaye yaad tehaari
ho aaye yaad tehaari
Chorus: aise men o preetam pyaar aaye yaad tehaari
ho aaye yaad tehaari
ghar aaja sajan ghar aaja
o ghar aaja mohan ghar aaja
aai saawan rrut aai, sajan mora dole hai man
laagi teri lagan ghar aaja
shamshad: ( tore bina mohe kal naahi aaye
Chorus: kal naahi aaye ) \-2
shamshad: dil ki lagi tadapaaye
ho dil ki lagi tadapaaye
mast pawan chale, man laharaaye \-2
aai milan rrut haay \-2
ghar aaja sajan ghar aaja
o ghar aaja mohan ghar aaja
aai saawan rrut aai, sajan mora dole hai man
laagi teri lagan ghar aaja
mukesh \: o
kheton se parabat par aa kar \-2
jeewan jyot jaga le \-2
duniya hai do din ka mela kuchh ro le kuchh gaa le \-2
Chorus: ghar aaja sajan ghar aaja
o ghar aaja mohan ghar aaja
***************************************************************************
ANOKHA PYAAR RELEASED ON 6th August, 1948
Yaad rakhana chand taro iss suhani raat ko-2
Do dilo me chupake chupake jo huyi so baat ko-2
Yaad rakhana chand taro iss suhani raat ko
Yaad rakhana
Aa gayi mere chaman me bhul kar kaise bahar-2
Jhum kar bajane lage hain aaj mann beena ke tar-2
Yeh khushi uthati huyi yeh jindgi hansati huyi-2
Yaad rakhana chand taro iss suhani raat ko
Yaad rakhana
Aasman par aasman ke premiyo kaa mel hai-2
Jindgi ke kone kone me khushi kaa khel hai-2
Arajoo machhali huyi yeh jindgi hansati huyi-2
Yaad rakhana chand taro iss suhani raat ko
Yaad rakhana chand taro iss suhani raat ko.
**************************************************************************
Jiwan sapna tut gaya
Tut gaya, tut gaya-2
Jiwan sapna tut gaya
Ek musafir aaya aake
Dil ki duniya lut gaya
Dil ki duniya lut gaya
Jiwan sapna tut gaya
Mann nagari meri suni padi thi
Asha ke dware pe kab se khadi thi
Mann nagari meri suni padi thi
Asha ke dware pe kab se khadi thi
Hath me pi ka aanchal sajni
Hath me pi ka aanchal sajni
Aate aate chut gaya
Jiwan sapna tut gaya
Tut gaya, tut gaya
Jiwan sapna tut gaya.
**************************************************************
Abb yad na kar bhul ja ae dil wo fasana
Wo pyar ki ghadiya wo mohabbat ka zamana
Abb yad na kar
Kyo yad tujhe aati hai biti huyi bate
Too bhul ja
Tu bhul ja wo pyar ke din pyar ki rate
Abb tut chuka hai woh tera khwab suhana
Woh pyar ki ghadiya wo mohabbat ka zamana
Abb yad na kar
Ae jhumati lehrati hui mast hawao
Ae pyare najaro, rangin fizao
Tum jake unhe aaj mera hal sunao
Tum jake unhe aaj mera hal sunao
Keh do ke mera dil hai tumhara hi diwana
Hai pyar ki ghadiya hai mohabbat ka zamana
Aati hain mere kano me ye kiski sadaye
Tum dil se khud hi puchh lo ham kyo ye bataye
Yad aane laga
Yad aane laga
Yad aane laga, phir mujhe woh bhula fasana
Wo pyar ki ghadiya wo mohabbat ka zamana
Aa ja ke abb is dard bhare dil ko bhulaye
Armano ke gulashan me naye phul khilaye
Ham tere hain, dil tera hai yeh bhul na jana
Bhul na jana
Yeh bhul na jana
Ham tere hain, dil tera hai yeh bhul na jana
Bhul na jana, yeh bhul na jana.
reference: http://www.thenews.com.pk/article-79139-Iconic-Dilip-Kumar-turns-90-today-
http://www.qamarjalalabadi.com/qjs-songs.html
http://www.lyricsbogie.com/movies/anokha-pyar-1948/jiwan-sapna-tut-gaya.html#ixzz2Ej8ZtviB
http://www.lyricsbogie.com/movies/anokha-pyar-1948/yaad-rakhana-chand-taro.html#ixzz2Ej7qYLEW
http://www.lyricsbogie.com/category/movies/anokha-pyar-1948
500, Shailendra wrote these two songs: Patli kamar hai and Barsaat mein. The music for 
